Landscape

Artist Statement

   At a very young age when I had only a vague idea of the meaning, it was predicted that I was an artist. This was from observations by my elementary school teachers and encouragement from my Mother, who not only appreciated art but was also a talented painter. The title of artist tended to give me a kind of identity…a suggestion that I was gifted in a certain way. With only that assumption as my guide, I pursued drawing and painting without academic training.  My earliest attempts were produced by my sense of awe when pouring through books and art magazines. The works of a famous surrealist caught my eye at age twelve.  From that time forward I would say that I was basically self-taught. That is not necessarily a compliment. There are areas I will never be proficient in yet the simple love of creating art drove me to figure things out along the way.  It wasn’t until I was 31 that I availed myself of some formal art training but by then I had already spent many years working in commercial graphics, technical illustration, animation, photography, and film production. Those earliest accomplishments tutored my creativity but did little to satisfy my urge to paint large meaningful works. That would have to wait a while. A very fortunate aspect of my career in the earlier years was the wide variety of artistic areas I managed to find work in. In each decade from the seventies, I augmented commercial art with a few fine art paintings. Results were slow at first, I was yet to emerge from all the strict confines of commercial work to the freedom of just painting for imagination’s sake.

   I partnered in a three-man show in 1988 and hung a one-man show in 1990. After a serious painters block in the mid-nineties, I re-awoke determined to attend to a lifelong desire…that of large canvases with more serious intent. As the turn of the century approached, I couldn’t escape a distinct feeling that something big was going to happen. I began painting futuristic images inspired by the notion that entering the third millennium should be punctuated by some visionary artwork.

   I’ve always remembered the words of my favorite art teacher; ‘produce a sense of light direction’. I have only reached that lofty goal on occasion. In some of my recent works, I’ve attempted to capture beauty in the midst of calamity to produce a sense of wonderment and emotional response. And of course, there’s often a curiosity about symbols present and their interpretation. So after a significant time spent in seclusion, I offer a few pieces that came into being in the past 6-8 years.  These four canvases are connected;  Surrealistic Quadriptic.  There’s more from the past and hopefully from the future as well.

More: surrealprecog.com