Surreal Collage

Collage is a technique of an art production, primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole.
A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.
The term collage was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art.

- Wikipedia

With the advent of digital tools such as Photoshop, collage in contemporary surrealistic art become one of the primary techniques to create surreal artwork. Simultaneously, with the ubiquity of camera phones (everyone is a photographer) and screens (how many ads do we see a day?) we a seeing a more nostalgic style to the style of some surreal artists. This may be a reaction to conceptual art and our digital interfaces as a way to differentiate art from, well, not art. This is not just simulated with retro styled photo filters but with the choice of materials. Artists such as Eugene Loli, Trash Riot, and Felipe Posada make ample use of decades-old illustration and photography. With this choice of materials, the work separates itself from “regular” photography (a window into the world) or film and develops its own retro-futuristic or retro-psychedelic aesthetic. Other Collage artists such as Khan Nova and Wahndur use digital tools and clean, contemporary styles to create their own surrealistic visions.

Evan Lawrence

Last Modified January 10, 2019 Leave a Comment

Evan Lawrence creates strange and contemporary surreal art. Self-taught, Lawrence uses ambiguous symbolism to explore his transcendent visions. He is inspired by “the delusion of the beautiful things until the weird moments; represented by the emotional feeling of himself”.

Lawrence’s work is part reminiscence and part artifact of his own inner meditations. Reflecting on past experiences and encounters, the work raises questions of identity, meaning, and representation. Lawrence hopes his work ultimately contributes to a better world by acting as a mirror the viewers’ subconscious.

Artist Statement

“I see art personally as the bridge between conscious and subconscious, between what is real and not real. I express and balance my ego with it. Surrealism is like an escape room for me, a self-investigation of identity. I always try to infuse each piece of my work with my feelings, desires, moods, and dreams of the moment, using art as a basic language; transliterate the noetic perceptions into explicit views.”

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9 Unexpectedly Surreal Affordable Art Prints

Last Modified August 28, 2018 1 Comment

1. Inside by Paul Guerrero Studio.

2. Let Go by Gabriel Isak.

3. The Unexpected by Frank Moth

4. Bloom by Frank Moth.

5. Spore Collector by Eugenia Loli.

6. Skate Flamingo by Paul Fuentes

7. Film Noir by Cassia Beck

8. Meteoric Rainfall by Picomodi

9. Pink Eruption by Filip Hodas

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Charles Wilkin Collage

Last Modified April 30, 2018 Leave a Comment

About Charles Wilkin

My work is a loose collection of thoughts and observations in many ways and less about one specific theme. I see it as being a reflection of the world we live in, with all its ugliness and cruelty. But from that, I strive to extract the beauty and empathy hidden underneath and within us all, revealing the unknown, the unspoken and intangible things that make us truly human. For me, collage as a medium replicates this frenetic and inherent collision of people, culture, and emotions we all experience. I believe the true meaning of my work is derived directly from the intertwining of these associations, and the spontaneity of my creative process. This gives my work the freedom to live creatively in the moment, and the ability to respond to current events, despite my imagery being derived primarily from vintage magazines.

charlesscottwilkin.com

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Beth Hoeckel

Last Modified February 10, 2018 Leave a Comment

About Beth Hoeckel

Beth Hoeckel is a multidisciplinary artist and illustrator from Baltimore.

She earned a BFA from The School of the Art Institute of Chicago where she studied painting, photography, and printmaking— but her main area of expertise is in the medium of collage. Beth began her first widely-known series of collages in 2010, and has been a full-time freelance artist since 2012. Over the past 5 years her work has been exhibited around the world and published in many prestigious books and magazines.

Beth can currently be found creating collage and mixed media art for arts’ sake, as well as illustrating for a variety of clients including Rookie, Domino, The New York Times, and many more.

Beth Hoeckel Collage

Frank Moth

Last Modified February 10, 2018 Leave a Comment

About Frank Moth

Frank Moth creates nostalgic postcards from a distant but at the same time familiar future. He makes digital collages and compositions with specific, distinctive color palettes, in a critically acclaimed style that is immediately recognizable. Frank Moth was born in Athens in March 2014. He exists as an artist and as an alias for the two people that hide behind him. He has been featured in many publications worldwide, such as Huffington Post US, as well as Buzzfeed and MTV Greece. His work is currently showcased around the world in many galleries online

We Chose This Road My Dear - by Frank Moth

Artist Statement

The compositions are mainly human-centered. The presence of the human element is obvious, yet perpetually incomplete. There’s always something missing, interrupted, or covered. The face, for example, is usually covered and many times it’s not even there, so as to not surrender its vulnerable introspection, insecurity, and psychic truth without a fight.

Depersonalization/Derealization

In many of Frank Moth’s works people are pictured gazing upon themselves and their own lives on Earth from some distant point in outer space. The perspective of all things always seems to be on a strange verge, between a dream and an urban daily life.

The smothering failure of man to define and refine happiness today within geographic, temporal, and material {technological and consumerist} bounds, is repeatedly alluded to through the use of old, manipulated paper ads from decades past, as well as old fashion magazines.

Revision/Revival/Rebirth/Insecurity

Many of the artworks feature a subtle expression of companionship or the silent, solitary, obsessive search for it {the people usually have their backs turned and there is a hint of movement in the scenery}, combined with the surreal size disproportion and the disturbed relation between man and his environment/surroundings.

Obsession/Music/Pixels/Architecture

This is an attempt to create harmony between people and their surroundings, however imaginary, by using the eternal elements of colours, numbers, simple geometric shapes, symmetry, and subtraction, as well as universal words and concepts like “love”, “together”, “forever”, “never”, “infinity”, “why”.

Frank Moth