Seamless is a Digital Composite Collage Artist
MAURA HOLDEN ARTISTS BIOGRAPHY
Maura Holden was born in 1967 in Philadelphia PA. She spent most of her childhood absorbed in a multi-dimensional daydream, which formed the foundation of her visionary quest as it continues today. Dreaming, drawing and water-coloring continually throughout her youth, Maura was able to present her first solo show at age sixteen, in the family home, with a large body of detailed paintings and drawings of inner landscapes populated by spirits and supernatural beings.
Though Maura’s very early work was definitely fantastic – heavily influenced by Max Ernst, Dali, and her own mystical dreams – she did not anticipate the full flowering of her visionary kinship until seeing the art of Ernst Fuchs. This profound event occurred when she was twenty-four, at a party, where someone handed her a book of Fuchs’ art. From the moment she held the book, Maura has been a devoted fan, strongly influenced by Fuchs and his lineage.
Maura has never had formal painting instruction, but has pieced together her own education from a combination of book research, experiments with art materials and techniques, looking at other artists’ work, and a lot of time at the easel.
In 2002 Maura had her first solo gallery show, “Carnivorous Architecture”, at Gallery in the Woods in Brattleboro, Vermont. The show brought Maura a small flurry of recognition, leading soon afterwards to a year-long group show, “High
on Life”, at the American Visionary Art Museum, followed the next year by another, “Golden Blessings” at the same museum. Her contribution of five paintings to the first of these shows brought many new friends and connections, and Tom Patterson, the curator of “High on Life”, later went on to write a feature article about Maura and her work for Raw Vision Magazine, issue 56, Autumn 2006.
Maura’s involvement with AVAM and Raw Vision linked her to the Outsider Art movement, which encompasses Art Brut and all self-taught artists.
In 2003 Maura participated in the Society for Art of the Imagination’s “Brave Destiny” show, at the Williamsburg Art and Historical Society, again re-enforcing her emphasis on the fantastic.
After this show, it would be three years before Maura unfolded further into the public sphere. In 2003, she embarked on an experiment in consciousness, repairing to a hermit’s cabin in rural Vermont, beginning a new shamanic nature-oriented phase, and a new body of work….
For three years, she remained in the cabin, without running water, electricity or the media. Secluded in the forest, she experienced a suspension of time and ordinary perception, and rediscovered, through astral journeys, what she came to think of as the archaic human mindset, brimming with myth, magic and archetypes…
This period constituted a death and re-birth. Maura welcomed the breakdown of the older structures of her world-view, and passed from her own version of 20th century consciousness into a more basic or universal human consciousness. She asserts that she lost her identity during this time, and merged with the forest’s myriad woven sound and sentience… A sense of “becoming nobody” allowed her to release outworn thoughts and begin fumblingly to manifest a new kind of vision. The realms of Earth-aliens, faeries and the geometry of plants and minerals began to replace the ruinous anthropomorphic cities of her earlier period. A new outlook began to take root. With the tremendous inflow of energy and novelty this process unleashed, Maura began, but did not finish, roughly fifteen paintings, ranging from the epic and arduous to the simple but
characteristically delicate and time-consuming…
In 2006 she left the cabin and built an amateur website for her art. The publisher Jon Beinart soon discovered the website, and included her work in “Metamorphosis – 50 Contemporary Surreal, Fantastic and Visionary Artists”, her first compilation book. From there, other online and magazine publications also contacted her, and she discovered her love of books and publishing…
Around 2007 Maura became pen pals with Laurence Caruana, at first corresponding with him mainly about philosophical, spiritual and aesthetic ideas. Their friendship became more personal over time, eventually leading Maura to participate directly in the Visionary Art community. In 2011 she joined Laurence, Amanda Sage and Andrew Gonzales in teaching the “Visions in the Mischtechnik” seminar, in Tori Superiore, Italy, where she lead a drawing intensive. She will return to Tori Superiore to teach painting at the seminar in 2012.
MAURA HOLDEN on Fantastic Visions
Tetat Ton is a painter from Bangkok, Thailand.
Will you be in New York City in April? Then you can’t miss Philippe Charles Jacquet’s surrealistic landscapes.
Philippe Charles Jacquet is an architectural painter: his haunting surrealistic landscapes are an exercise in precision, layered variety, and esoterism
Opening Reception on 27 April, 2019, 6-8pm
RSVP Required: email@example.com
Les Reclus is a solo exhibition featuring the carefully articulated dreamscapes of Philippe Charles Jacquet to be exhibited at the Hugo Galerie in New York City. The show introduces new pieces by the artist in his celebrated style in which he builds his watery worlds with various and highly planned painting techniques.
Les Reclus’ title is more relevant to his canvas’ structural capacity than their figural; while most canvases contain more than one figure, rarely does a canvas contain more than one structure. The reclusivity of Jacquet’s built environments, dramatically poised within surreal and stretching landscapes, lends his paintings an enigmatic quality. Adding to their mystery is the fact that they cannot be quickly dismissed as make-believe—they are too realistic, too aligned with our own experiences of stone houses, wooden rowboats, reflection pools, receding tides, and cloud-filled horizons. Even the slope of a figure’s slouching shoulders is too… personal.
Jacquet is an architectural painter; he plans his landscapes and their built environments with measured precision, constructing them in a layered variety of media and methods until they are as real as they are imagined. The materiality finessed, from mirror-like water to rust-scored wood grain, brings his painted compositions to life. The combination of textures, geometric accuracy, and concise colors creates an esotericism that includes viewers rather than excludes them; Jacquet’s solitary structures do not reject but envelop the viewer with the familiarity of a feeling. As if we’ve been here before. Perhaps in a dream.
Hugo Galerie is a fine art gallery in New York City specializing in contemporary figurative painting and sculpture. The gallery represents an international roster of artists working in a variety of media and range of genres.
Le Reclus, oil on board, 311⁄2″ x 311⁄2″ (80 x 80cm)
Le Port d’Attache, oil on board, 283⁄4” x 351⁄2” (73 x 90.2cm)
Une Soirée Ordinaire, oil on board, 471⁄4″ x 471⁄4″ (120 x 120cm)
This is Neural Zoo, a zoological & botanical collection of nature that doesn’t exist imagined in collaboration with a CNN (Convolutional Neural Network).
Sofia Crespo is an artist with a huge focus in bio arts and technologies. One of her main interests is the way organic life uses artificial mechanisms to simulate itself and evolve, this implying the idea that technologies are a biased product of the organic life that created them and not a completely separated object. On the side, she is also hugely concerned with the dynamic change in the role of the artists working with machine learning techniques.