Surrealism Today

Contemporary surreal, visionary and pop surreal art

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Conceptual

Allen Linder

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Artist Statement

Whether creating sculptures or paintings, it is a desire to fall deeper and deeper into my imagination that compels me. A desire to be surprised to discover what I am actually dwelling upon in the often obscured parts of my being. I like to strip away at what arises in my vision until it makes a kind of complete sense although I may not understand it quite yet. I work until the image somehow resonates with my life and speaks of something that I actually know through experience. It must be real in my life to hold any lasting interest for me. I have sometimes thought that I am taking what is ordinary and extraordinary in my life and refocusing it through a lens of symbolic form. That way it can speak to me on all levels at once. I never think too long on a title for I simply call it what it is.

About

Allen Linder has been a nationally exhibiting fine artist for over 30 years.

Please direct all inquiries to lindersculpture@gmail.com

Biography

Thinking In Stone:

Employing the archaic philosophy and methodology of direct carving, Allen Linder sculpts contemporary artifacts—solid works embodying the present, extolling life and preserving the human spirit.

The act of carving and grinding away at stone, wax and bronze is an intuitive practice: ideas and images stimulated by life events emerge from Linder’s subconscious mind. The objects are a complete syntheses of his personal narrative and mythology, directly connected to the awe, beauty, joy and mystery of daily existence, namely the infinite possibility of experience and personhood. There are many narratives present; the work is left open and becomes a sort of spiritual fiction.

Linder “feels his way into form” in search of its center. His ideas play on a single scientific and spiritual metaphor: the need for resistance. The result of his process is hyperbolic sculpture in which content and form unite to distill existential thought using timeless, figurative gesture.

His sculptures explore physicality, the purity of material, and the construction of tactile, illusory awareness through his own psychological and transcendent reality. His work is at once somber and playful, comical and sublime, the posturing symbolic of life.

Links:

https://www.lindersculpture.com
http://www.facebook.com/lindersculpture
https://www.instagram.com/maninfreefall/
https://www.saatchiart.com/lindersculpture

Toshiko Okanoue

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Born in 1928, in Kochi, Japan, Toshiko Okanoue grew up in Tokyo. She began to make photo collages while she was studying fashion design and drawing in Bunka Gakuin in the early 1950s. When she first began working, she had very little art historical knowledge, and knew nothing of the Surrealist movement.

In post-war Japan, a shortage of goods and materials meant the country was flooded with commodities from foreign countries. Okanoue used fragments from Western fashion magazines such as Life, Harper’s Bazaar and Vogue, to create radical compositions combining body parts, animals and inanimate objects in dynamic arrangements. Although the component parts of her collages originated from Western sources, Okanoue herself regarded her technique of image making as deeply rooted in Japanese tradition. She thought of her works as a form of hari-e (‘hari’ meaning pasting and ‘e’ meaning a picture in Japanese), a traditional Japanese technique of making pictures by pasting small pieces of coloured paper onto pasteboard.

It was only in 1952, upon meeting the poet and artist Shuzo Takiguchi, that Okanoue found her own place in art history. Takiguchi was a leading figure of the Surrealist movement in Japan, and introduced Okanoue to the works of the famous Surrealist, Max Ernst, whose style had a decisive influence on her. During the subsequent six years, Okanoue produced over 100 works. Her collages remained idiosyncratic and dreamlike in their juxtaposition of contradictory imagery. In 1953 and 1956, she held solo exhibitions at Takemiya Gallery, Tokyo. However, as with many Japanese women of this era, her marriage in 1957 ended her artistic career.

Okanoue returned to her hometown of Kochi, where she now lives. She is married to the painter Fujino Kazutomo. Her work faded into obscurity and was overlooked for almost 40 years. However, it was rediscovered by the curator of the Tokyo Metropolitan Museum of Photography in the mid 1990s, and has since gained recognition for its contribution to the Japanese avant-garde. In 1996 her works was shown in Meguro Museum of Art, and has subsequently been collected by the Museum of Fine Arts, Houston, and the Museum of Modern Art, New York.

– via huxleyparlour.com/toshiko-okanoue-a-surrealist-in-japan/

Evan Lawrence

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Evan Lawrence creates strange and contemporary surreal art. Self-taught, Lawrence uses ambiguous symbolism to explore his transcendent visions. He is inspired by “the delusion of the beautiful things until the weird moments; represented by the emotional feeling of himself”.

Lawrence’s work is part reminiscence and part artifact of his own inner meditations. Reflecting on past experiences and encounters, the work raises questions of identity, meaning, and representation. Lawrence hopes his work ultimately contributes to a better world by acting as a mirror the viewers’ subconscious.

Artist Statement

“I see art personally as the bridge between conscious and subconscious, between what is real and not real. I express and balance my ego with it. Surrealism is like an escape room for me, a self-investigation of identity. I always try to infuse each piece of my work with my feelings, desires, moods, and dreams of the moment, using art as a basic language; transliterate the noetic perceptions into explicit views.”

https://www.instagram.com/vanlawrenc.art/
https://www.facebook.com/vanlawrenc.art

Buy Prints:

Open Edition: INPRNT – Evan Lawrence
Limited Prints: SPASIUM – Evan Lawrence
Signature Edition: CURIOOS – Evan Lawrence

The Art of Mark Hopkins

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Mark Hopkins Surrealism

The landscapes of Mark Hopkins are as gorgeous as they are mind-bending. Hopkins’ surrealistic techniques include playful visual distortion, juxtaposed symbols, and abstract surrealism in combination with a mastery of the craft of painting.

The first painting in the gallery above shows the Buddha hovering in the air in an archetypal temple. The scene is calm. Juxtaposed with this peaceful imagery is the ‘fallout shelter’ symbol on the tiles of the floor. The repetition of this symbol in an otherwise serene environment startles the viewer. It invites us into the work with Hopkins to reflect and process. Other symbols (which you’ll need to discover for yourself) further add the complexity, ambiguity, and depth of this image.

Hopkins’ gorgeous contemporary surrealistic paintings are both profound and ineffable.

Mark Hopkins Artist Statement

My paintings consist of elements assembled into stories or into ‘mood-scapes’. I place the recognizable into the supernatural as a way to invite a viewer to co-create a narrative from their understanding of what’s in a given composition. There is content, for sure. But it is flexible content or perhaps it is ‘content under construction’. Why? Perhaps it’s because I want more out of a work of art than straight representation can offer. My work adjusts to mood, current events, individual personalities, and to itself. It is possible come away with a different interpretation with each viewing. Bang for buck.

There are a few things I hope to say through the oeuvre of my work; That the Earth is precious, time is precious, life is precious, that our mind is amazing, that history is way more profound than we think, and that there are mysteries lurking which can provide insights into who we are, why we are here, and how ‘it’ all works. Graham Hancock calls us a people who have forgotten our past. My paintings both acknowledge and challenge that: We are finding what we forgot – awakening and reconstructing our past – but we might want to hurry.

I hope my work pleases my audience. I hope they play with it, enjoy the quirks, the color, and find it satisfying.

hopkinesque.com

Waone (Interesni Kazki) Drawings

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Waone is an Artist / Muralist from Kyiv, Ukraine.

ARTIST STATEMENT

The main goal of my art is to find out who am I and explore the outside world.
Viewing through the lens of the creative process gives me the possibility
to shift the focus away from the vanity of common life and tap into stranger invisible world, the origin of the entire existence…

It was a long way started back in 1999 when I stepped on the streets with a spray can. During the next 18 years, I developed a fairy tale visual language, a visual storytelling with a transcendental ethereal form of contemporary muralism.

Inspired by the old master’s art I continue my evolution, I like to imitate the esthetic of antique book illustrations and old engravings in my murals, canvases, and drawings.

During the last 2 years, when street art became a mainstream, I decided to shift my focus on studio work, now contemporary and fine art scene looks more appropriate scene for my art.

waone.net
instagram.com/waone_interesnikazki/
waone.net/store/