Alegorical

Nicolas Gadbois Surreal Landscapes

Dated March 13, 2018 Leave a Comment

Worlds Largest Truckstop - by Nicolas Gadbois

Artist Statement: Real Life Surrealism

My surreal paintings are taken from scenes in everyday life that have a quality that is strange or otherworldly. For a number of first wave surrealist painters emptiness was a significant feature in the art. De Chirico and Dali both drew heavily from scenes expressing existential void. My work focuses on the altered landscape and cultural emptiness. Photographs I take are the basis for the paintings. I choose dead malls, places left behind, and blank billboards for my subjects. Colors in my work are pushed to reference emotions, climate change, nuclear reality, and artificial life. Rather than illustrate things and landscape in a Disney like fantasy way I paint scenes from real life that already appear surreal.

nicolasgadboisart.com

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Frank Moth

Dated February 11, 2018 Leave a Comment

About Frank Moth

Frank Moth creates nostalgic postcards from a distant but at the same time familiar future. He makes digital collages and compositions with specific, distinctive color palettes, in a critically acclaimed style that is immediately recognizable. Frank Moth was born in Athens in March 2014. He exists as an artist and as an alias for the two people that hide behind him. He has been featured in many publications worldwide, such as Huffington Post US, as well as Buzzfeed and MTV Greece. His work is currently showcased around the world in many galleries online

We Chose This Road My Dear - by Frank Moth

Artist Statement

The compositions are mainly human-centered. The presence of the human element is obvious, yet perpetually incomplete. There’s always something missing, interrupted, or covered. The face, for example, is usually covered and many times it’s not even there, so as to not surrender its vulnerable introspection, insecurity, and psychic truth without a fight.

Depersonalization/Derealization

In many of Frank Moth’s works people are pictured gazing upon themselves and their own lives on Earth from some distant point in outer space. The perspective of all things always seems to be on a strange verge, between a dream and an urban daily life.

The smothering failure of man to define and refine happiness today within geographic, temporal, and material {technological and consumerist} bounds, is repeatedly alluded to through the use of old, manipulated paper ads from decades past, as well as old fashion magazines.

Revision/Revival/Rebirth/Insecurity

Many of the artworks feature a subtle expression of companionship or the silent, solitary, obsessive search for it {the people usually have their backs turned and there is a hint of movement in the scenery}, combined with the surreal size disproportion and the disturbed relation between man and his environment/surroundings.

Obsession/Music/Pixels/Architecture

This is an attempt to create harmony between people and their surroundings, however imaginary, by using the eternal elements of colours, numbers, simple geometric shapes, symmetry, and subtraction, as well as universal words and concepts like “love”, “together”, “forever”, “never”, “infinity”, “why”.

Frank Moth

Deborah Stevenson

Dated February 3, 2018 Leave a Comment

Music of the Spheres - Collage by Deborah Stevenson

Lost In The Stars Collage by Deborah Stevenson

Fibonacci's Folly Collage by Deborah Stevenson

Surreal Bloom Collage by Deborah Stevenson

Le Fruite Etrange Du Paradis - by Deborah Stevenson

About Deborah Stevenson

Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine.

Artist Statement

My first medium is oil, and I have been a painter for nearly 30 years. I began composing collage pieces in earnest 5 years ago, working with material in magazines, books, newspapers, etc. My influences include the pioneer collage/surreal artists: Braque, Ernst, Hannah Hoch, Joseph Cornell, Magritte, to name a few, as well as the German Expressionists in all media. Other influences in visual media include masters in film and photography, both contemporary and classical

A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions.

The work arises in an ‘automatic’ way; I do not set out with an objective or goal in my mind when I sit down to make something. The images compose themselves spontaneously as I mix and move the masses of paper around on the table in front of me. I feel as though my eyes and hands facilitate the ‘arrival’ of the pictures that I make. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue.

https://www.saatchiart.com/deborahstevenson

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Lola Mitchell

Dated January 24, 2018 Leave a Comment

Lola Mitchell uses textures and digital painting to create stories through images. Her surrealistic underwater photography resonates with rhythm and explores emotional concepts.