Surrealism Today

Contemporary surreal, visionary and pop surreal art

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Evan Lawrence

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Evan Lawrence creates strange and contemporary surreal art. Self-taught, Lawrence uses ambiguous symbolism to explore his transcendent visions. He is inspired by “the delusion of the beautiful things until the weird moments; represented by the emotional feeling of himself”.

Lawrence’s work is part reminiscence and part artifact of his own inner meditations. Reflecting on past experiences and encounters, the work raises questions of identity, meaning, and representation. Lawrence hopes his work ultimately contributes to a better world by acting as a mirror the viewers’ subconscious.

Artist Statement

“I see art personally as the bridge between conscious and subconscious, between what is real and not real. I express and balance my ego with it. Surrealism is like an escape room for me, a self-investigation of identity. I always try to infuse each piece of my work with my feelings, desires, moods, and dreams of the moment, using art as a basic language; transliterate the noetic perceptions into explicit views.”

https://www.instagram.com/vanlawrenc.art/
https://www.facebook.com/vanlawrenc.art

Buy Prints:

Open Edition: INPRNT – Evan Lawrence
Limited Prints: SPASIUM – Evan Lawrence
Signature Edition: CURIOOS – Evan Lawrence

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The Art of Mark Hopkins

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Mark Hopkins Surrealism

The landscapes of Mark Hopkins are as gorgeous as they are mind-bending. Hopkins’ surrealistic techniques include playful visual distortion, juxtaposed symbols, and abstract surrealism in combination with a mastery of the craft of painting.

The first painting in the gallery above shows the Buddha hovering in the air in an archetypal temple. The scene is calm. Juxtaposed with this peaceful imagery is the ‘fallout shelter’ symbol on the tiles of the floor. The repetition of this symbol in an otherwise serene environment startles the viewer. It invites us into the work with Hopkins to reflect and process. Other symbols (which you’ll need to discover for yourself) further add the complexity, ambiguity, and depth of this image.

Hopkins’ gorgeous contemporary surrealistic paintings are both profound and ineffable.

Mark Hopkins Artist Statement

My paintings consist of elements assembled into stories or into ‘mood-scapes’. I place the recognizable into the supernatural as a way to invite a viewer to co-create a narrative from their understanding of what’s in a given composition. There is content, for sure. But it is flexible content or perhaps it is ‘content under construction’. Why? Perhaps it’s because I want more out of a work of art than straight representation can offer. My work adjusts to mood, current events, individual personalities, and to itself. It is possible come away with a different interpretation with each viewing. Bang for buck.

There are a few things I hope to say through the oeuvre of my work; That the Earth is precious, time is precious, life is precious, that our mind is amazing, that history is way more profound than we think, and that there are mysteries lurking which can provide insights into who we are, why we are here, and how ‘it’ all works. Graham Hancock calls us a people who have forgotten our past. My paintings both acknowledge and challenge that: We are finding what we forgot – awakening and reconstructing our past – but we might want to hurry.

I hope my work pleases my audience. I hope they play with it, enjoy the quirks, the color, and find it satisfying.

hopkinesque.com

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Virginia Stewart: Views From Within

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Artist Statement

When I sit down to do my art, my intention is to create magic; to create a visual wonderland that brings the gift of insight into the realm of mystical perception.

Like Zen, I feel I am a channel for the direct transmission of that phenomenon, the mysterious now.

So, when I look down at a series of squiggles and an image suddenly appears, I’m frequently surprised and say, “Oh, that’s what that is,” and draw it. And sometimes I ask, “Where did you come from?!” Other times I’m drawing and the lines start flowing into a form as if drawing itself, so I finish it.

This is the experience I want to share with my audience, the very discovery of the images unfolding before their eyes. And from that revelation, it is my aim for the viewer to come away with a new sense of awe about the magic of creation.

Artist Bio

Virginia Stewart was born in Philadelphia, Pennsylvania on October 25, 1952. She is currently a resident of Phoenixville, PA.

Virginia has for a lifetime been on a healing and spiritual journey after being exposed to a range of human thought from Eastern philosophy to Western psychology. Her spiritual interest began at the age of thirteen when she heard a practitioner of yoga speak of the journey to enlightenment.

Virginia attended the Pennsylvania Academy of the Fine Arts with an intensive curriculum of life drawing, still life, figure painting, cast drawing from plaster statues, art history, materials and techniques, anatomy, and other related courses.

She also attended the Studio School of Art and Design where she extended her artistic toolset with typography, mechanical drawing, color theory, illustration, and other methods and media.

Virginia’s curiosity for learning new things took her in many different directions, such as exploring physics and astronomy. And because of her love of learning about the city she lived in, she became a tour guide in Historic Philadelphia.

In 2009, she joined a unique learning center called Sphere College Project, where she gained the confidence to set out on her true path to becoming an important fine artist.

Exhibitions include: The Crescent Awards Show at the Pennsylvania Academy of the Fine Arts, Print It Frame It Ship It, Steel City Gallery and Cafe, The Phoenix Village Art Center, “May Is Mental Health Month” (a traveling show sponsored by Fellowship Health Resources), Local Sphere Gallery and Crafts, Stages Arts Initiatives, and Franklin Commons Gallery “Flight” Show; Colors of Humanity, “Animals”; 3 Square Art Gallery, “100 Square Inches of Art”; Colors of Humanity, “Open”

Awards: SUNDAY SOUP AWARD, 2011 to frame her artwork; FIRST PRIZE, Fellowship Traveling Show, 2012 for Rose Empress; HONORABLE MENTION, The Phoenix Village Art Center Membership Show, 2013 for Flower Pod.

Commissions: Richard Liston, Radiant Swan, Emergence, Shell Pillow, Bumbees, and Tadpole Bowl; Scott Levy, Scott’s Life; Frank Kelso Wolfe, Portrait of Frank for a collection of poems, Love and Bagels.

Articles: “Vote for Your Favorites at Phoenix Village Art Center “, Phoenixville Patch, May 2011; “Virginia ‘Ginny’ Stewart”, Phoenixville Patch, May 2012.

Influences: Theodore Geisel, M.C. Escher, Edward Hopper, Jan Van Eyck, Albrect Durer, Vincent Van Gogh, Salvador Dali, Frans Hals, Henri Rousseau, Johannes Vermeer, Eugene Delacriox, John Singer Sargent.

Website

http://www.viewsfromwithin.com

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Waone (Interesni Kazki) Drawings

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Waone is an Artist / Muralist from Kyiv, Ukraine.

ARTIST STATEMENT

The main goal of my art is to find out who am I and explore the outside world.
Viewing through the lens of the creative process gives me the possibility
to shift the focus away from the vanity of common life and tap into stranger invisible world, the origin of the entire existence…

It was a long way started back in 1999 when I stepped on the streets with a spray can. During the next 18 years, I developed a fairy tale visual language, a visual storytelling with a transcendental ethereal form of contemporary muralism.

Inspired by the old master’s art I continue my evolution, I like to imitate the esthetic of antique book illustrations and old engravings in my murals, canvases, and drawings.

During the last 2 years, when street art became a mainstream, I decided to shift my focus on studio work, now contemporary and fine art scene looks more appropriate scene for my art.

waone.net
instagram.com/waone_interesnikazki/
waone.net/store/

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Get Out, Atlanta, Sorry to Bother You, and The Afro-Surrealist Film Movement

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Add “Sorry To Bother You” to the mix and there appears to be an Afro-Surrealism resurgence in Black cinema.

"Get Out" Movie Still

Surrealism is the 20-century avant-garde artistic and literary movement that sought to stir the creative potential of the unconscious mind position seemingly irrational imagery adjacent to one another. Artist Salvador Dali is among the most respect of that era.

Surrealism in film draws upon many of the philosophical principles as in the art world, using shocking, irrational and absurd imagery to challenge conventional reality. American filmmaker David Lynch’s Blue Velvet and Mulholland Drive are each considered among the best contemporary examples of this technique, while Alfred Hitchcock and Rod Serling were said to have each incorporated some surrealist ideals in their works.

First coined in 2009 by New Jersey’s Poet Laureate Amiri Baraka, Afro Surrealism focuses on the present day experience of African Americans as interpreted via artistic endeavor.

Read the full article at theshadowleague.com

What is Afro-Surrealism?

Afro-Surrealism or Afrosurrealism is a literary and cultural aesthetic that is a response to mainstream surrealism in order to reflect the lived experience of people of color. First coined by Amiri Baraka in 1974,[1] this movement focuses on the present day experience of African Americans. Afro-Surrealism is based on the manifesto written by D. Scot Miller, in which he says, “Afro-Surrealism sees that all ‘others’ who create from their actual, lived experience are surrealist…” The manifesto delineates Afro-Surrealism from Surrealism and Afro-Futurism. The manifesto also declares the necessity of Afro-Surrealism, especially in San Francisco, California. The manifesto lists ten tenants that Afro-Surrealism follows including how “Afro-Surrealists restore the cult of the past,” and how “Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it.”

Via Wikipedia.

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