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Contemporary Surrealism

Promoting the best contemporary surrealism, psychedelic, lowbrow, and fantastic figurative art being created today.

Philippe Charles Jacquet: Les Reclus (27 April–19 May, 2019)

Will you be in New York City in April? Then you can’t miss Philippe Charles Jacquet’s surrealistic landscapes. Philippe Charles Jacquet is an architectural painter: his haunting surrealistic landscapes are an exercise in precision, layered variety, and esoterism Opening Reception on 27 April, 2019, 6-8pmRSVP Required: info@hugogalerie.com Les Reclus is a solo exhibition featuring the […]

Sofia Crespo’s Neural Zoo

This is Neural Zoo, a zoological & botanical collection of nature that doesn’t exist imagined in collaboration with a CNN (Convolutional Neural Network). Sofia Crespo is an artist with a huge focus in bio arts and technologies. One of her main interests is the way organic life uses artificial mechanisms to simulate itself and evolve, […]

Marjorie Darrow

Gateway to the Subconscious Artist Statement The main theme of my work has always been the connection and synergy of all living organisms. It’s symbolic of the delicate balance and inter-dependency of life. I see these interconnections as a perfectly choreographed dance where each element is singular, yet part of the whole. It’s a simple […]

Toshiko Okanoue

Born in 1928, in Kochi, Japan, Toshiko Okanoue grew up in Tokyo. She began to make photo collages while she was studying fashion design and drawing in Bunka Gakuin in the early 1950s. When she first began working, she had very little art historical knowledge, and knew nothing of the Surrealist movement. In post-war Japan, […]

Harvey Goldman

Uriel, prophet of poetry, prince of presence,
archangel of the sun, propounds a new
troublous truth and suffers the slings and
arrows of the celestial Czars.The tumultuous
times are upon us. Oh, Nicolaus Copernicus,
transcendental historian of heliocentric geometry,
forgive us, absolve us, evolve us, if you can.

The “visual music” collaborations of Jing Wang
and Harvey Goldman attempt to produce a synesthesia
like experience. The audience is encouraged to “see”
the music and “hear” the visuals. The imagery and
audio components are constructed without hierarchy,
a true melding of sound and image.