Add “Sorry To Bother You” to the mix and there appears to be an Afro-Surrealism resurgence in Black cinema.
Surrealism is the 20-century avant-garde artistic and literary movement that sought to stir the creative potential of the unconscious mind position seemingly irrational imagery adjacent to one another. Artist Salvador Dali is among the most respect of that era.
Surrealism in film draws upon many of the philosophical principles as in the art world, using shocking, irrational and absurd imagery to challenge conventional reality. American filmmaker David Lynch’s Blue Velvet and Mulholland Drive are each considered among the best contemporary examples of this technique, while Alfred Hitchcock and Rod Serling were said to have each incorporated some surrealist ideals in their works.
First coined
in 2009by New Jersey’s Poet Laureate Amiri Baraka, Afro Surrealism focuses on the present day experience of African Americans as interpreted via artistic endeavor.
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What is Afro-Surrealism?
Afro-Surrealism or Afrosurrealism is a literary and cultural aesthetic that is a response to mainstream surrealism in order to reflect the lived experience of people of color. First coined by Amiri Baraka in 1974,[1] this movement focuses on the present day experience of African Americans. Afro-Surrealism is based on the manifesto written by D. Scot Miller, in which he says, “Afro-Surrealism sees that all ‘others’ who create from their actual, lived experience are surrealist…” The manifesto delineates Afro-Surrealism from Surrealism and Afro-Futurism. The manifesto also declares the necessity of Afro-Surrealism, especially in San Francisco, California. The manifesto lists ten tenants that Afro-Surrealism follows including how “Afro-Surrealists restore the cult of the past,” and how “Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it.”
Via Wikipedia.